Happy New Year from Beltway Poetry Quarterly!
http://www.beltwaypoetry.com/

We begin 2008 with a rousing new issue of the journal, celebrating political poetry "borne out of a hunger." The Split This Rock Issue features seventeen poets who are participating in the upcoming festival of the same name, either as organizers or readers.

As co-editor Regie Cabico writes in his introduction, these poets sing "about gentrification, pop culture, immigration, war, heritage, disability, history and American iconography" to create a home "in the gut of a government that should hear, swallow, and ingest verses of provocation and witness."

Split This Rock Poetry Festival will take place in Washington, DC March 20-23, 2008. In addition to Beltway Poetry Quarterly, other co-sponsoring organizations include the Institute for Policy Studies, Sol and Soul, The White Crane Institute, Washington Friends of Walt Whitman, and Beloit Poetry Journal.

The Split This Rock Issue of Beltway Poetry Quarterly features poems by the following authors:

Winona Addison * Naomi Ayala * Sarah Browning * Grace Cavalieri * Teri Ellen Cross * Heather Davis * Joel Dias-Porter * Yael Flusberg * Brian Gilmore * E. Ethelbert Miller * Princess of Controversy * Tanya Snyder * Susan Tichey * Melissa Tuckey * Dan Vera * Rosemary Winslow * Kathi Wolfe

The Split This Rock Issue (Volume 9, Number 1), is co-edited by Regie Cabico and Kim Roberts. The issue is available online now at:

http://www.beltwaypoetry.com/

The end of the year gets me a little nostalgic. Not sure about everyone else but time seems to literally be flying. I recall as a teenager figuring out that year 2002 would make me eighteen years old. For whatever reason eighteen sounds BIG and LIBERATING, and largely it was. Then 2003 happened, 2004, 2005 . . . and so on. It is important to be conscious of time as you move through and reflect in hindsight. Lately, I’ve pondered what can be carried into the future given modernity—the fleeting present—making things past and future. Perhaps, all that we can take with us from one year to the next are our memories and stories, remembering the unsaid as well as the said, remembering those whom we’ve hugged and later watched the earth hug their coffin as they transition to the other world. Here are some highlights of 2007 that I wish to share with you. If you have a 2007 moment you’d like to share, by all means, please send them to me.

Best Movie?

So far, my favorite film of 2007 is “Talk to Me.” This film saved me from being a cynic of black cinema. When you look at the mile-long list of crap that’s being produced and bankrolled it easily give me the impression that there are no intelligent black actors, directors, or writers out there. Obviously, this is not true; nonetheless, we need to push a little harder to get quality movies out there. Kudos to Oprah Winfrey and Denzel Washington for teaming up to create “The Great Debaters.”

Best Blog?

Tayari Jones has a marvelous blog http://www.tayarijones.com/blog. It’s multifaceted, the entries extend beyond little post-it notes that so many bloggers tend to produce. The subject matter ranges from personal to political—yet all grounded in the writing life.

For local happenings and humorous commentary on politics and culture, I like to read E. Ethelbert’s blog. He’s a writer, but more than a writer he is an activist writer. You get critical commentary on matter of labor, politics, race, current events, job openings, causes one ought to know about. Become a part of the literary and activist world of E. Ethelbert Miller, check out his blog at http://www.eethelbertmiller1.blogspot.com/

Best Moment?

The summer of ’07 was the greatest. I hopped on the Chinabus and went up to New York City to Central Park to hear Amiri Baraka and Sonia Sanchez read from their respective corpses, then a post-show conversation about how the Black Arts Movement began ensued. It was a highlight of the year. And, I got to see Asha Bandele and my teacher and poet-friend Tyehimba Jess.


I could go on and on but I would love it if my readers can tell me what their best CD of 2007 was? Best Books? Or any of bests they’d like to share.

Ann Darr (1920-2007)

I received this note moments ago--

"We note with sadness the passing of Ann Darr, a prominent DC poet. Dryad Press has started an 'In Memoriam' page on their website that is terrific. The link reprints poems, and gives biographical information. http://www.dryadpress.com/AnnDarr.htm

Though, I did not personally know Ms. Darr, I tend to look at the writing community as a body so when someone leaves that body, it's almost like suffering a lost limb or digit.

Merill Leffler, publisher of Dryad Press is accepting remembrances of Ann Darr; you may sent them to publisher@dryadpress.com

I'm listening to Lauren Hill's Selah. It's a beautiful song. A good friend of mine first burned this song on a cd that she created just for me, on Valentine's day a few years back. She created an entire soundtrack for me. And in the playbook was this song with a note that read something like I think everyone feels as though they need to be "saved from themselves" sometimes. I think you do that for me when I need it: nagging me to sleep and eat all that. So, thanks... This one's for that.

Ain't it funny how one song can unlock the flood gates?

The weekend was spent writing papers. On Sunday, I visited a Buddhist community center and saw some of the happiest looking people I've ever seen. And they were very warm in welcoming me into their space. I love the idea that we are accountable for our happiness. That there is something in us that really can direct the kind of energy or results we want to see.

Back to writing papers.

The African Burial Memorial

This past summer I hopped on the Chinabus and made my way back home, to New York City. I had spoken to brother Rasul on several occasions about the African Burial Memorial. It took me some time to process that New York had slaves. I always believed that my home was the place that enslaved brothers and sister fled to.

What follows is a brief discussion about this special place. My thoughts are in bold italics and Brother Rasul's are in regular typeset. I hope each of you will take your family and friends and learn about this part of history.

What follows are my personal observations and are not necessarily reflecftive of the positions of the National Park Service. While I am a volunteer there, I am speaking here for myself, not for them.

I am deeply appreciative of the opportunity they have afforded me to honor the ancestors through my efforts, but I am a spokesperson for myself alone, not for the National Park Service.

1. How did you first encounter this memorial?

nomenclature: the burial ground, the national monument, the memorials - city memorial in Foley Square, Triumph of the Human Spirit, and the federal memorial, The Ancestral Libation Chamber Memorial dedicated the weekend of October 6Th. We have since seen some 40 thousand visitors to the monument.

In 1991, when it was discovered by the African Descendant community what had been uncovered by the government and what disrespectful treatment was being afforded the discovery, the burial ground became a focus of action for the descendant activist community and word went out urging folks to attend the regular protests, ceremonies, and commemorations that were being conducted to support the elders who were leading the fight to halt the exhumations and the construction and assure proper respect for the remains of the ancestors.

Like many others, as my work schedule permitted, I visited the burial ground to lend my support. After the initial success and the dispatch of the remains to Howard for study, I assisted the government funded Office of Public Education and Information, both as a volunteer, at their various educational events, and as a volunteer consultant in automating their mailing list.

After the return of the remains from HU and the subsequent designation of the burial ground as a national monument, I began to volunteer as a docent, giving tours of the monument and the art work commissioned for the burial ground. I have been giving a tour of "Old Manhattan and its African Past" for many years, and the burial ground was a logical involvement for me, especially after my retirement.

2. What impact has working with the African Burial Memorial had on you?

Impossible to truly assess. It has been a profound turning point in my life. It has set me on one of the steepest learning curves of my intelectual life and on a spiritual journey that has only just taken its first baby steps. I have embarked on a literary challenge that is testing my craft in new and expanding directions.

The Burial Ground has become a focus for my retirement. There is the time there doing tours, the time spent reading, digeting, considering and learning new things about Manhattan and its African past, the efforts to capture the voices of African New Yorkers in my poem-becoming multi-media-performance-piece, and the persuit of the spiritual understanding I am being offered - all this and much more that I don't even have words for.
Can you recall how it has affected others?

The reactions vary, from surprise at all that visitors have not known before, to appreciation for the recognition and acknowledgement the ancestors are receiving, to a profound sorrow at the circumstances of early African Manhattanites. The many students of every age leave with an understanding of their history, Euro and African descendant alike, that was not previously available to them. The affect on them will only become evident as they become adults and we see the real impact of what they have learned on their committment to justice and peace.

There are those in the African descendant community who harbor deep disapointment that the sacred ancestroral grounds are not under the control of the African descendant community. The government building and the present federal memorial area should not, these elders suggest, have been built on at all, but the grounds should have been preserved as a completely undeveloped green space with signage.

While I respect and understand their position, I think that the educational potential of the monument as a national monument, with its visitors center and memorial, offer a greater educational opportunity, one that would be understood by the ancestors whose remains we honor.

3. How frequent do tours take place?

The visitors Center is currently housed within the Federal Building at 290 Broadway open from 9 to 5, Monday through Fridey, except on Federal holidays. There is a 25 minute video available and a walking tour of the commemorative art work in the lobby of the building on the site as well as of the memorial. Sometime in 2008, we will see the opening of a new visitors center in teh 290 building that will have its own enterance and allow us to be open 9-5 every day except major holidays.

Currently, there is a Park Ranger available at the memorial to provide tours of the The Ancestral Libation Chamber Memorial 9-5, every day except major holidays.

Group tours can be arranged by visiting the official National Park Service burial ground web site at http://nps.gov/afbg. Tours can be arranged for Monday through Friday, 9 to 5 or at other times, by special arrangement. Off site presentations can also be arranged. The current visitors Center can only accomodate 30-45 people at a time for a presentation of the video about the burial ground and I recomend that groups plan a visit of 90 minutes to two hours to fully benefit from the monument's resources. When the new visitors center is opened next year, we will have facilities to accomodate larger groups.

Music, Memoir and Muse

Nothing is as bad as it seems. The semester is moving ahead so fast. I'm trying to be productive (at my own pace, of course.) The weather is changing so fast. It's almost like it was warm, then, I blinked at it was cold. Thanksgiving is on Thursday. This is really is one of my favorite times of the year. The rainbow of leaves falling every day.

I've decided that I'm not going to worry about school anymore. It will work itself out. I always arrive on-time, eventually. I really want to focus on my grad school applications and perhaps, get back into the groove of writing. I really want to have a collection of poems finished early 2008. At one point, I thought I was close to finishing. Then, I started writing some more and all sorts of things fell out.

E. Ethelbert Miller has this phrase that we should know"How many books are in you?" How strange to think about that sort of thing. I love when books introduce themselves to me. I love the discovery of writing. I hear voices, and people talking, and the music of a bygone period in my life and I get excited and start writing. There are also times when we write not just to remember but to go back, because happiness is more often remembered than actually lived. Who has time to think about being happy when you're happy.

The same is true of listening to music. When I wanna hear a song it has little to do with dancing and more to do with remembering who I danced with when that song came out. How it felt to be inside that skin, in that moment, dripping, now an echo.

At Howard University, if you are in the college of Arts and Sciences--as I am--taking Swimming before you graduate is mandatory. I hope to write about this experience.

Some feeling about swimming: it's all good until, the instructor start talking about jump into the eleven feet. Last time I checked I was only five foot eleven. Not eleven foot five. . .